Anne Tallentire
Curriculum Vitae
1983-1984
Printmaking, The School of Visual Arts, New York
1986-1988
Post Grad Higher Diploma, Fine Art Media, Slade School of Fine Art,
Solo Exhibitions 1990-2001
2000
Dispersal, (work-seth/tallentire), Orchard Gallery, Derry
1999
Instances, Lux Gallery, London
Instances, Irish Pavilion, Venice Biennale
1998
trailer, (work-seth/tallentire), Off-Site, Project, Dublin
1995
Inscribe II, Orchard Gallery, Derry and No. 2 London Wall Buildings (Living
Art/Strike Project)
1994
Inscribe I, Telecom Eireann, Dublin and BT, Cheapside, London (Living Art/Strike Project)
Interruptions IV the clearing and Interruptions III:light- unfading,
(work-seth/tallentire), Project, Dublin
1993
Interruptions, (work-seth/tallentire), The Showroom, London
1992
Untitled, Central Space, London
1991
Resisting the Lullaby, Camerawork, London
1988
The Gap of Two Birds, Showroom London
Selected Group Exhibitions 1990-2002
2003
Out of Place, Harewood House Gallery, Leeds
2002
Sum of the Parts (work-seth/tallentire), South London Gallery, London
Strike, Wolverhampton Art Gallery, Wolverhampton
Something Else,Turku Art Museum, Turku, Amos Anderson Museum, Helenski
Private Views, 12 April - 24 May London Print Studio, London
2001
Predator, (work-seth/tallentire), KX auf Kampnagel, Hamburg
Neue Welt, Frankfurter Kunstverein, Frankfurt
Travellers' Tales, inIVA, London
147, (work-seth/tallentire), Liberty Hall, Dublin
2000
Multiples X3,Temple Bar Gallery, Dublin
Multiples X3, Camden Art Centre, London
Rutger Hauer, Perry's Motors, London
Urban Situations, Galerie im Taxipalais, Innsbruck
Sleight of Hand, Five Years Underwood Street, London
1999
From There to Here, (work-seth/tallentire), Konsthallen, Goteborg
Home 2, (work-seth/tallentire), Home, London
0044, (work-seth/tallentire), PS1 Gallery and touring
1997
Heteronumous: or an ambiguous journey through the self, (work-seth/tallentire),
Rear Window, London and Complesso Monumentali del San Michele a Ripa, Rome.
Bouncer, (work-seth/tallentire), Concourse Gallery Byam Shaw, London
1996
L'Imaginaire Irelandais, Ecole des Beaux Arts, Paris
Maps Elsewhere, Beaconsfield, inIVA/Beaconsfield
Ceasefire: reflections of conflict, Wolverhampton Art Gallery
1995
Live at The Project, Project, Dublin
Exchange Resources, Catalyst, Belfast
Pretext: Heteronyms, (work-seth/tallentire), Rear Window, Clink Street Studios, London
1994
Irish Days Two, (with Joanna Szarfarz), Baltic Art Gallery, Ustka, Poland.
Leeds Metropolitan University Gallery, Leeds
1993
Interruptions , (work-seth/tallentire),Sheffield Media Show, Sheffield
Columbus Drowning, Rochdale Art Gallery, Rochdale
Desire, Exeter College of Art and Design, Exeter
1991
Hysteria, Symposium Tate Gallery, Liverpool.
1990
Gracie Fields Live Art, Rochdale Art Gallery, Rochdale
Resisting the Lullaby,
Live at the Project, Project Arts Centre, Dublin
Along the Lines of Resistance: Rochdale Gallery; Cooper Gallery, Barnsley; South London Gallery, London; Bonnington Gallery, Nottingham; Herbert Read Gallery, Kent Institute of Art & Design
Video Art 90, Cork Film Festival, Triskal Arts Centre, Cork
1989
Acts of Remembrance, Harris Gallery Museum, Preston
Off The Map, Chisenhale Gallery, London
Desire, a five day event, Exeter College of Art and Design
1987
Ave Experimental Arts Festival, Arnhem, Holland
Identities, Art Research and Exchange, Belfast
Performance, Pentonville Gallery, London.
1986
Channel 6, Live at the London Film Makers Co-op, LVA, London
1983
Performance, WOW, Resource Centre, New York
Bibliography
2002
Mark Wilsher 'Sum of the Parts', Art Monthly no260 October 2002
2001
Declan Sheehan. 'work-seth/tallentire' Frieze, issue 59 (May) pp.105
Declan Sheehan. Circa 96 (Summer) pp 46-47
2000
Mark Currah. 'Sleight of Hand at Five Years London', Londonart.co.uk magazine,
Stephen Bury. 'e-books' Art Monthly no. 241 November 2000
Ariko Obayashi ed. 'Very New Art 2000' BT special issue
1999
Mark Currah. 'Anne Tallentire at the Lux, London', Londonart.co.uk magazine, November
Caoilhin Mac GiollaLeith. 'Playing the Green Card', Circa 90 (Winter) pp. 28-29
Anne Tallentire. Instances, Venice Biennale (Cultural Relations Committee, Dogbowl+Bones, Dublin)
Valerie Connor (ed) Anne Tallentire Project Press, Dublin.
Home 2. CD-Rom, Pink Ink film, London.
Rob Stone. 'Snakes and Ladders: Abracadabra' Tate no.18 (Summer) pp. 48-53.
Andrew Wilson. 'All Over the Place', Art Monthly no.28 (July/Aug) pp. 7-10.
Gavin Butt & J.Cairns. 'The Art of Trailing: work-seth/tallentire's Dublin' Third Text no.48 (Autumn) pp.81-88.
Libby Anson. 'Wakefulness in Still Places: an interview with Anne Tallentire' Make no. 85 (Sept/Nov) pp.2224.
Aidan Dunne. 'Reflections on Venice', Irish Times (June)
Catsou Roberts. 'Performative Woman: the Work of Anne Tallentire and Venetian Overture' Art Press (France) no. 47 (June) pp. 30-33 and pp. 18-45.
Rachel Withers. 'Allied Forces' Art Forum, (May)
Marcia E Xvetroco,.The Venice Biennale Reformed, Renewed, Redeemed' Art in America (September)
Daniel Jewesbury. 'Return to the Far Pavilions', Variant, Vol 12 no 8 (Summer)
Michael Hulb. 'Biennale Venedig': Landerpavillions' Kunstforum 147 (Sept/Nov)
Rachel Withers. 'Venice Biennale' Nu (Stockholm) pt 2 p.80
Orla Ryan. 'trailer, work-seth/tallentire' Live Arts Magazine no.23 (December/March)
1997
Alison Raftery. Opening Lines London Arts Board.
1996
H. Robinson. 'Exchange Resources' Circa no. 75 (Spring) pp. 25-29.
Paul Ardenne. 'The Irish Season' Art Press no. 215 (July/August).
Mark Currah. 'Maps Elsewhere' Time Out 13 April
1995
Sally Dawson. 'On Censorship' in K.Deepwell (ed) New Feminist Art Criticism Manchester University Press.
Daniel Jewsbury. 'Anne Tallentire and John Seth' Circa (Summer) no.72.
Hilary Robinson. 'Irish/ Women/ Artwork' Feminist Review Issue no. 5. p.98.
Maurice O'Connell. 'Been and Gone' Project - A journal of the Project Arts Centre (Dublin) (Jan/Feb)
1994
Fiona Barber. 'Territories of Difference: Irish Women Artists in Britain' Third Text no. 27 (Summer) p.65-75
Sandra Johnston. B. Connolly. A. Maclennan. A. Tallentire, 'Irish Days' Circa No. 70 (Winter) p.53-57.
Ken Hardy. 'Modernity = Mobility, Diaspora' Circa 68.
Martin McCabe. 'Headspace: writing home/phoning home -digital postcards from the edge' Sculptors Society of Ireland Newsletter (Aug/Sept)
1993
Siraj Izhar. 'Edge in the Centre' Circa 66
Siraj Izhar. 'Anne Tallentire and John Seth: Interruptions: Showroom' Hybrid 2 (April/May)
Sabina Sharkey. 'Frontier Issues: Irish Women's Texts and Contexts' Women: A Cultural Review Vol.14. no.2. (April/May)
1991
Rose Jennings. 'Anne Tallentire-camerawork' Time Out (September)
1990
Fionna Barber. 'Strategy of Resistance': Anne Tallentire; Recent Work' FAN Vol. 3 no.3.
Steven Durand. 'A Battle with Tradition' - Live at the Project' High Performance (USA)
Catalogues and other Publications
2003
Strike
2002
Dispersal, (work-seth/tallentire), Orchard Gallery, Derry, essay Jaki Irvine, CD ROM written by Conor Me Feely performed by Locky Morris
Private Views, essay by Paul O'Neill, London Print Studio, London
2000
Neue Welt, Frankfurter Kunstverein, Frankfurt, essay by Nicolaus Schafhausen
1998
Instances, Irish Pavillion, Venice Biennale essays by Jaki Irvine and Brian Hand
Resisting the Lullaby, Camerawork, London
From There to Here, (work-seth/tallentire), Konsthallen, Goteborg, essays by Henry Meric Hughes
0044, (work-seth/tallentire), PS1 Gallery essay by Peter Murray
Anne Tallentire, Monograph, Project Press, Dublin with essays by Jean Fisher, Sabina Sharkey and John Seth
1997
Heteronumous: or an ambiguous journey through the self, Rear Window, London and Complesso Monumentali del San Michele a Ripa, Rome essays by Achille Bonito Oliva, Richard Appignanesi, Anna Maria Nassisi and Juliet Steyn
1996
L'Imaginaire Irelandais, Ecole des Beaux Arts, Paris essay by CaoimhÃn, Mac GiollaLéith
Ceasefire: reflections of conflict, Wolverhampton Art Gallery
1995
Exchange Resources, Catalyst, Belfast essay by Derval Fitzgerald and Karen Vaughan
1994
Irish Days Two, Baltic Art Gallery, Ustka, Poland essays by Brian Kennedy and Sandra Johnston
1990
Gracie Fields Live Art, Rochdale Art Gallery, Rochdale essay by Sharkey Sharkey
Resisting the Lullaby, Camerawork, London essay by Sabina Sharkey
1989
Off The Map, Chisenhale Gallery, London, essay by Fionna Barber
Along the Lines of Resistance: Cooper Gallery, Barnsley, essay by Juliet Steyn
Commissions, Residencies, Projects
2002
CIRCA 100 (Summer 2002) page 24 ISBN 0263 - 94752000
1999
'fact of the matter', with Monica Ross, 'Diffusion' ed Giles Lane and Catherine Williams
1995
'Inscribe-Afterward' photo-essay Coil 2 (London)
1994
work-seth/tallentire 'Interruptions' phototext Third Text No 24.
Public Arts Development Trust, Commission Kings Cross Estates, London
1993
Residency Creative Art Centre, Riga, Latvia
London Irish Centre Commission, Hammersmith and Fulham Council Arts Council of England
1984
art pages Circa 50
Photowork, Crane Bag Media and Popular Culture
Teaching
2001
Senior Lecturer, Fine Art, Central Saint Martins College of Art and Design
Pathway Leader for 4D pathway,(film, video, installation, performance and digital media)
PhD supervision Central Saint Martins College of and Design
2000-2001
Stage Two F/T Co-ordinator:
Responsibility for planning, curriculum development, and administration of 120 full time students in year two including seminar programmes, studio teaching, assessment and external projects.
1999-2000
Stage Three F/T Co-ordinator:
Responsibility for planning, curriculum development, and administration of 110 full-time students in year three including core lecture and seminar programmes, studio teaching and assessment.
1999-2001
Subject Leader: Critical Fine Art Practice Subject Area.
Co-designed staff and student teaching programme for all years. Developed and taught integrated and relevant practice and theory programme. Wrote Stage Briefs accordingly. Taught A/V video, sound, film, installation and co-ordinated external placement skills and technical workshops. Managed second and third year essay and thesis supervision, assessment organisation and supervision. Co-ordinated academic continuity between stages, critical studies, visiting tutors.
1991-1996
Senior Lecturer in Fine Art,
Central Saint Martins College of Art and Design (0.5), Critical Fine Art Practice
1990
Senior Lecturer,
Sheffield City Polytechnic, (0.5, acting) Photography, Fine Art
1996-1998
Regular Visiting Lecturer,
Byam Shaw School of Art, Tutor,
Time -Based Media
1986-1992
Course Tutor,
Birbeck College, University of London,
Women's Studies, Experimental Media for women
Guest Lecturer BA Hons
Visiting Lecturer
The Slade School of Art, University of Central England, Dartington School of Art and Design, University of Ulster, Belfast, Birbeck College, University of London, Chelsea School of Art, Byam Shaw School of Art, Polytechnic of East London, Wimbledon School of Art, Sheffield City Polytechnic, Exeter College of Art, Stourbridge College of Art, Winchester School of Art University of Ulster, University of Central England, Birmingham, Birbeck College, Royal College of Art, University of London, Sheffield City Polytechnic, Goldsmiths College, Central Saint Martins College of Art and Design, Chelsea School of Fine Art, Hochschule fur Architektur und Bauwesen und Weimar
External Examining
1996-1998
Gwent College of Higher Education, BA Hons
1999-2001
Goldsmiths Post Graduate Diploma in Fine Art
1998-2001
Slade School of Art, Fine Art Media BA Hons
2001-
Royal College of Art, Photography MA
PhD Supervision
2000-
Central Saint Martins College of Art and Design
Conferences, lectures, seminars and talks etc
2002
Department of Historical and Cultural Studies Goldsmiths MA
'Changing States 5', Whitechapel Art Gallery, London Chair, Neru Ratnam with Bea de Souza, JJ Charlesworth, Shez Dawood, and John Seth
'Moving Image Seminar', Tate Modern, London
'Aesthetics and Ethics' Seminar Day, The Royal College of Art Chair, Yve Lomax
2001
'Physical Actions Forum', (Roman Signer) Camden Art Centre
2000
'347 Minutes', Whitechapel Gallery Chair Susan Hiller, Panel member with Adam Chodzko and Mathew Higgs
1995
'Kathy Prendergast', Camden Art Centre
1993
'Dorothy Cross', Camden At Centre
1989
The Art Historians Conference, Trinity College Dublin. Session, 'Minitories and Regions'
The Art Historians Conference, Central Saint Martins College of Art and Design. Session, 'Reading Landscape'.
1986
Co-ordinator 'Eye to Eye' Battersea Arts Centre, London
1985
Performance 'Hysteria', Tate Gallery, Liverpool
Awards/Commissions
2000
Selected to represent Ireland at the 48th Venice Biennale
1995
inIVA, Commission, 'Maps Elsewhere', Beaconsfield, London
1994
Arts Council, Live Art Award, Inscribe I and II, a Strike Project
Public Arts Development Trust, Commission, Kings Cross Estates
1993
Arts Council of England/Hammersmith and Fulham Council, Commission, London Irish Centre
Arts Council of England, Live Art Travel Award, Creative Institute, Riga, Latvia
Arts Council of England, Commission, Sheffield Media Show
Arts Council of Ireland, Project Funding, 'Diaspora Project', Living Arts Projects, Dublin
1990
Arts Council of England, Live Art Commission, Rochdale Art Gallery, Rochdale
1987
Greater London Arts, Project Funding, 'Altered Tracks', Exhibition, Workshops and Screenings,
'Off the Map', Chisenhale Gallery, London