Curriculum Vitae 2003


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susan pui san lok

Curriculum Vitae

Education

1997 - present

PhD Fine Art (Practice & Theory)

with Aavaa (African & Asian Visual Artists Archive) University of East London



1996

MA Feminism & the Visual Arts (Distinction)

University of Leeds



1994

BA Hons Fine Art (First)

Bretton Hall College University of Leeds

Solo Shows

2000

FCHKUK Stuff Gallery, London

Lean To East London Gallery, University of East London



1998

Retrospectre / Un- (part 6) Chinese Arts Centre, Manchester

Group Shows

2005

Leeds-Hangzhou Exchange Leeds Metropolitan University Gallery

& Hangzhou Fine Art Academy, China (forthcoming)



2004

Country of Origin Douglas F Cooley Memorial Art Gallery, Reed College, Portland, Oregon, U.S. (forthcoming)

Cruel / Loving Bodies Taikang Museum, Shanghai; Para/Site, Hong Kong (forthcoming)



2003

Homelands: In and Out of Middle England Spacex Gallery, Exeter

False Impressions? University of Essex Gallery, Colchester

The Translator's Notes Café Gallery Projects, London



2002

No Sleep 'Til Hammersmith: A Night of Video The Central Space, London

Big Screen in Little China Home GMI Screen, London



2001

Drawing the Central Space (performance & installation)The Central Space, London

New Releases: An International Survey of Recent Works On Video Gallery 4A & Art Gallery New South Wales, Australia



2000

Shanghai Art Fair Shanghai Mart, Shanghai, China

Test Lab Anarchy Arthrob & Fabric Live, Fabric, London



1999

.com/and/see & bibliomania Global Cafe, London

Matrix 4 Lethaby Gallery, Central St. Martin's, London

Cities On The Move Hayward Gallery, London



1998

DEAL 198 Gallery, London

Number Six TS2K, London



1997

Un- (prose-fiction-pose-friction) (performance) Cornerhouse, Manchester

Domus: North & South Private Residences, York & London

A World of Difference Epping Forest District Museum

A Company of Strangers Leeds Metropolitan University Gallery

Another Province: Contemporary Chinese Arts Watermans Arts Centre, London, Brewery Arts Centre, Gloucester



1996

Box This Turnpike Gallery, Leigh



1995

Yorkshire & Humberside Women's Open Bradford Gallery

Box Walsall Museum & Art Gallery



1994

South Yorkshire / BT Open (1st Prize) Cooper Gallery, Barnsley

Employment

2002-present

Project Research Officer Globalising Art, Architecture & Design History Project

Department of Visual Culture & Media, Middlesex University



2002-present

Visiting Lecturer Central Saint Martins School of Art & Design



2003

Visiting Lecturer Winchester School of Art



2002-2003

Cultural Diversity Advisory Committee Member Arts Council England



2001

Visiting Lecturer Summer School, Courtauld Institute, University of London

Visiting Lecturer Goldsmiths College, University of London



2000-2001

Visiting Lecturer Dept. of Visual Culture & Media, Middlesex University



2000

Visual Arts Advisor London Arts, London

Visiting Lecturer Royal College of Art, London

Digital Art Workshop Leader 'Our World Tomorrow' Festival St. Joseph's R.C. Primary School, London and London Print Studio



1999- present

Exhibition Selection Panel Chinese Arts Centre, Manchester



1998-2000

Visiting Lecturer School of Art & Visual Theory, University of East London



1998

Workshop Leader 'Family Histories' Schools Project 198 Gallery, London

St.Martin's Girls' Secondary School, London & Stockwell Park High, London

'DEAL' Workshops 198 Gallery, London

Conferences / Events

2003

Artist as Researcher Symposium Speaker Goldsmiths College, London

CAA (College Art Association) 91st Annual Conference New York, U.S.



2002

BCAA (British Chinese Artists Association) Artists' Corner Artist's Talk The Photographers' Gallery, London

Contemporary Chinese Art in the International Arena Conference Session Chair and Speaker British Museum

PIDGIN: interrupted transmission Gallery Talk Aspex Gallery, Portsmouth



2001

Shades of Black Conference Speaker Duke University, N.C., U.S.A



2000

A Dirty Space? Panelist inIVA (Institute of International Visual Arts), London



1999

Shades of Black: Assembling the Eighties Forum University of East London

Matrix 4 Conference Speaker Central St. Martin's School of Art, London

Empire & I Discussion Panelist Pitshanger Manor & Gallery, London



1998

Vindaloo & Chips Discussion Panelist inIVA, London

A New Vocabulary for Chinese Arts? Seminar Speaker The Place, London

DEAL Discussion Panel Organiser & Artist's Talks 198 Gallery, London

AAIAD (Advisors & Inspectors of Art & Design)

Conference Speaker Nelson Dock, London

Identities: AAH (Association of Art Historians) Annual Conference

Session Speaker University of Plymouth, Exeter



1997

Rose Finn-Kelcey Gallery Talk Camden Arts Centre, London

A World of Difference Artist's Talk Epping Forest District Museum

Publications

Forthcoming

Discerning Translation eds. Joanne Morra, Mieke Bal, chapter contribution

Art Education: Explorations in Identity, Power and Regulation eds. Paul Dash, Dennis Atkinson, chapter contribution (Trentham Books, date tbc)

Shades of Black: Assembling the Eighties chapter contribution (London: inIVA, date tbc)

'Cruel / Loving Bodies' exhibition catalogue essay Cruel / Loving Bodies (Hong Kong: Para/Site, 2004)



2003

'A - Y (Entries for an Inventionry of Dented 'I's)' essay Third Text (forthcoming)



2002

UA2 4 CD book set compilation of artists' soundworks, contributing artist (London: Underwood Audio)

'Inglorious Food' exh. catalogue essay Anthony Key (Bristol: Eddie Chambers)

'Towards a Chinese British Isles, A Round Trip or 3333, Point 3 to Infinity: On Mileage and 'British-Chinese' art' http://www.chinese-art.com vol. 5, no. 1 (guest editor)

'PIDGIN: interrupted transmission' review Third Text no. 59



2001

'Trinh T. Minh-ha: Cinema Interval' book review Parallax no. 19



2000

DEAL exhibition catalogue (London: BCWA)

'Tailing TRACE/Y: The Liverpool Biennial of Contemporary Art' review Third Text no. 49



1999

'Staging / Translating: Surname Viet Given Name Nam' essay Third Text no. 46

'Anthony Key' exhibition catalogue essay Empire & I (London: Terra Incognita)

Selected Reviews & Reproductions

2003

'The Translator's Notes' Sajid Rizvi Eastern Art Report no. 48

'The Translator's Notes' Sara Harrison Art Monthly no. 266



2002

'Elements of Drawing Blind' Julian Stallabrass www.chinese-art.com vol. 5, no.1

'Contemporary Chinese Arts in the International Arena' Anthony Leung Ming Pao Monthly (Hong Kong) June issue



2000

'Ethnicities On The Move' Diana Yeh Critical Quarterly vol. 42, no.2

'DEAL' book review Mark Hooper i-D July no.199



1998

'Chinese Art, Manchester Style' Robert Preece Asian Art News Autumn no.

'Susan Pui San Lok and Mayling To' Paul O'Kane Third Text no.44

'97 Proofs (detail)' (reproduction) Art Review July / August

'Gallery Week' Kate Mikhail The Independent 21 July

'Galleries: Choice' Helen Sumptor Hot Tickets 25 June

'Dragon Rising' Imran Khan 2nd Generation issue 7

New Art CD Rom (London: Pink Ink Publishing)

Number Six CD Rom (limited edition)



1997

'Dissolving Identities...' Hannah Barker Flux (Manchester) no.4

'Retrospectre' Martin Vincent City Life (Manchester) no.343

'Stating One Thing But Doing Another' Urzsula Szulakowska Make no.77

'Distances, Dissonance & Diversity: Chinese Artists in Britain' Sajiid Rizvi Eastern Art Report vol. 4, no.4