Milton Machado
Curriculum Vitae
Born in Rio de Janeiro, Brazil, 1947
1970
Architect, FAU-UFRJ, Rio de Janeiro
1969
First group exhibition
1975
First one-man exhibition
1978-80
Postgraduate Course in Urbanism, FAU-UFRJ
1980-85
Master of Sciences, MSc. Urban Planning, IPPUR-UFRJ
1994-99
Phd Fine Art, Goldsmiths College, University of London
1979-96
Lecturer, Professor Adjunto, Universidade Santa Úrsula
Centro de Arquitetura e Artes
Rio de Janeiro Departamento de Análise e Representação da Forma
since 1983
Lecturer, Escola de Artes Visuais do Parque Lage
Secretaria de Estado e Cultura do Rio de Janeiro
2000-01
Visiting Lecturer, The London Institute, London
since 2001
Lecturer Curso de Pós-graduação em Artes Visuais
Escola de Belas Artes, EBA-UFRJ
One-man exhibitions
1975
Desenhos e Objetos (Drawings and Objects)
Galeria Maison de France, Rio de Janeiro (folder)
1981
Conspiração Arquitetura (Conspiracy Architecture)
Espaço ABC-Arte Brasileira Contemporânea
Galeria Sergio Milliet, Funarte, Rio de Janeiro
drawings (folder)
As Férias do Investigador (Vacations of a Private Eye)
Galeria Cesar Aché, Rio de Janeiro
drawings (catalogue, text by the artist)
1983
(1 = n)
Galeria Luisa Strina, São Paulo
drawings (catalogue, text by Roberto Pontual)
1985
Somas e Desarranjos (Sums and Disarrangements)
Galeria Saramenha, Rio de Janeiro
drawings and paintings (catalogue, text by the artist)
1986
V (10 imagens) V (10 images)
Galeria Usina, Vitória do Espírito Santo
paintings (folder, text by the artist)
1987
Fugitivo Zero (Fugitive Zero)
Galeria Montesanti, Rio de Janeiro
paintings (catalogue, text by the artist)
Somas e Desarranjos (Sums and Disarrangements)
Galeria Luisa Strina, São Paulo
paintings
1990
Mundo Novo (New World)
Galeria Luisa Strina, São Paulo
paintings (folder, text by the artist)
1991
Interventi (Interventions)
Museo Civico Gibellina, Case di Lorenzo, Sicily, Italy
sculptures, drawings, photographs
(catalogue, texts by Achille Bonito Oliva and the artist)
21 Formas de Amnésia (21 Forms of Amnesia)
Galeria Sergio Milliet, Funarte, Rio de Janeiro
installation (folder, text by the artist)
1992
21 Formas de Amnésia (21 Forms of Amnesia)
Centro Cultural São Paulo
installation (folder, text by the artist)
1993
Objetos de Escultura (Objects of Sculpture)
Galeria Luisa Strina, São Paulo
drawings, objects, sculptures 1995
(1=n) an interval
Project Room, Goldsmiths College, London
drawings
1998
About Mobility
Project Room, Goldsmiths College, London
photographs and videos, texts
2000
Bits of Plastic Art/Top-sider Information
Barbican Centre, London
installation, photographs
2001
Sobre a Mobilidade (About Mobility)
Paço Imperial, Atelier Finep, Rio de Janeiro
photographs, video (catalogue)
2003
(1=n) um intervalo
Mercedes Viegas Arte Contemporânea, Rio de Janeiro
drawings
Group Exhibitions
1969
10ª Bienal de São Paulo (10th São Paulo Biennale)
Architecture, team-work (Silver Medal Award)
1971
Museu de Arte Moderna do Rio de Janeiro
4º Salão de Verão (4th Summer Salon)
1972
Galeria Veste Sagrada, Rio de Janeiro
Arte Fantástica 3 (Fantastic Art 3)
1974
Palácio da Cultura, Rio de Janeiro
Salão de Arte Moderna (Salon of Modern Art)
Fundação Bienal de São Paulo
1ª Bienal Nacional de São Paulo (1st Brazilian Biennale)
Galeria Intercontinental, Rio de Janeiro
Mostra Lan-Chile
1975
Museu de Arte Moderna do Rio de Janeiro
6º Salão de Verão (6th Summer Salon)
Galeria Maison de France, Rio de Janeiro
Renovação da Figura (The Figure Renewed)
1977
Maison de la Culture, Le Havre, France
Écritures et Avant-Gardes d'Amérique Latine
(Scriptures and Avantgardes from Latin America)
Escola de Artes Visuais do Parque Lage, Rio de Janeiro
Identidade de Artistas (Artists' Identities) , organized by Angelo de Aquino
1978
São Conrado Beach, Rio de Janeiro
Fiberglass (Fiberglass), organized by Claudio Kuperman
1979
Museu da Imagem e do Som, Rio de Janeiro
Cartazes do Cinema Brasileiro (Brazilian Cinema Posters)
Museu do Solar do Unhão, Salvador
Coleção Gilberto Chateaubriand (The Gilberto Chateaubriand Collection)
1980
Museu de Arte de Belo Horizonte
12º Salão de Arte (12th Art Salon)
Award: Prêmio Banco Mineiro 1981
Museu de Arte de Belo Horizonte
13º Salão de Arte (13rd Art Salon)
Museu de Arte Moderna do Rio de Janeiro
Do Moderno ao Contemporâneo (From Modern to Contemporary,
The Gilberto Chateaubriand Collection)
1982
Módulo Magazine, Rio de Janeiro
Brasilidade
Galeria GB, Rio de Janeiro
A Casa (The Home)
Escola de Artes Visuais do Parque Lage, Rio de Janeiro
Dueto 1 + I (1 + I Duet), in Concerto Plástico (Plastic Concert)
performances of contemporary music
by the artist, performed by Leo Kupper and Ana Maria Kiefer
Museu de Arte Moderna do Rio de Janeiro
5º Salão Nacional (5th Brazilian Salon) (catalogue)
Fundação Calouste Gulbenkian, Lisbon, Portugal
Coleção Gilberto Chateaubriand
(The Gilberto Chateaubriand Collection) (catalogue)
1983
Galeria Thomas Cohn, Rio de Janeiro
Papel (Works on Paper)
Museu de Arte Moderna do Rio de Janeiro
6º Salão Nacional (6th Brazilian Salon) (catalogue)
1984
Museu de Arte Moderna de São Paulo
Retrato e Auto-Retrato da Arte Brasileira
(Portrait and Self-Portrait of Brazilian Art)
The Gilberto Chateaubriand Collection (catalogue)
1984
Palácio das Artes, Belo Horizonte
Brazil Desenho (Brazilian Drawing) (catalogue)
Barbican Gallery, London, England
Brazilian Modern Art, The Gilberto Chateaubriand Collection
(catalogue)
Escola de Artes Visuais do Parque Lage, Rio de Janeiro
Rio de Cor (River of Colors)
external wall paintings
1985
Galeria Sergio Milliet, Funarte, Rio de Janeiro
Brasil Desenho (Brazilian Drawing) (catalogue)
Escola de Artes Visuais do Parque Lage, Rio de Janeiro
Velha Mania (Old Mania), Brazilian drawing (catalogue)
Escola de Artes Visuais do Parque Lage, Rio de Janeiro
Rio Narciso (Rio Narcissus)
Galeria de Arte e Pesquisa da UFES, Vitória do Espírito Santo
3 Foragidos
(3 Fugitives: Jorge Guinle, Nelson Felix, Milton Machado)
curated by the artist (folder)
Galeria Sergio Milliet, Funarte, Rio de Janeiro
Atitudes Contemporâneas (Contemporary Attitudes) (catalogue)
1986
Galeria Sergio Milliet, Funarte, Rio de Janeiro
Bolsa Ivan Serpa (Ivan Serpa Fellowship)
Galeria Usina, Vitória do Espírito Santo
gallery's opening show
Galeria Montesanti, Rio de Janeiro
gallery's opening show
Galeria Cesar Aché, Rio de Janeiro
gallery's opening show
Galeria Luisa Strina, São Paulo
gallery's 12 years show
Escola de Artes Visuais do Parque Lage, Rio de Janeiro
Território Ocupado (Occupied Territory)
Installation Heavy Metal (catalogue)
1987
Fundação Bienal de São Paulo
19ª Bienal de São Paulo (19th São Paulo Biennale)
Brazilian Representation (catalogue)
Museu de Arte Moderna do Rio de Janeiro
Ao Colecionador (To the Collector)
The Gilberto Chateaubriand Collection
(book: "Entre Dois Séculos", by Roberto Pontual)
1988
Galeria Gilberto Chateaubriand, Rio de Janeiro
Expressão e Conceito (Expression and Concept)
The Gilberto Chateaubriand Collection (catalogue)
1989
Ouro Preto, Juiz de Fora, Belo Horizonte, São Paulo, Rio de Janeiro
touring exhibition
Cada Cabeça Uma Sentença (One Mind One Sentence) (catalogue)
Escola de Artes Visuais do Parque Lage, Rio de Janeiro
O Mestre à Mostra (EAV teachers' exhibition)
Museu de Arte Moderna do Rio de Janeiro
Rio Hoje (Rio Today)
Galeria ARCO, São Paulo
O Pequeno Infinito e o Grande Circunscrito
(catalogue, text by Sheila Leirner, Curator)
1990
Sala-1, Rome, Italy
Frida Baranek, Ivens Machado, Milton Machado,
Daniel Senise, Angelo Venosa
organized by the artist (catalogue, text by Achille Bonito Oliva)
Laboratoire Évenements Urbains, Grenoble, France
Façades Imaginaires (Imaginary Facades)
public projections on historical building (catalogue)
Museu de Arte Moderna de São Paulo
Panorama 1990 (works on paper) (catalogue)
Award: First Prize of Drawing
24 Internationaler Kunstmarkt Köln, Cologne, Germany
Luisa Strina Gallery Stand
1991
Espaço Cultural Sergio Porto, Rio de Janeiro
Imagem sobre Imagem (Image on Image)
(catalogue, text by Ligia Canongia, curator)
Escola de Artes Visuais do Parque Lage, and
Museu de Belas Artes, Rio de Janeiro
Processo 738.765-2 (students and teachers from EAV)
Art 22'91, International Art Fair, Basel, Switzerland
Luisa Strina Gallery Stand
Escola de Belas Artes da UFRJ, Rio de Janeiro
Rio Mostra (Artists from Rio)
1992
Escola de Artes Visuais do Parque Lage, Rio de Janeiro
ECO-Sensorial, Extrativismo Urbano (in ECO-92) (catalogue)
Museu da Gravura Cidade de Curitiba, Paraná
X Mostra da Gravura, Mostra America (International Printing)
(catalogue, texts by Paulo Herkenhoff and Ivo Mesquita, curators)
Galeria de Arte e Pesquisa da UFES, Vitória do Espírito Santo
Visões de Vitória (Visions of Vitoria)
Galeria de Arte do SESI, São Paulo
Acervo Gilberto Chateaubriand, Anos 60-70
The Gilberto Chateaubriand Collection, the 60s and 70s (catalogue)
Paço Imperial, Rio de Janeiro
Acervo João Sattamini, Museu de Arte Contemporânea de Niterói
The João Sattamini Collection
1993
Museu de Arte Moderna do Rio de Janeiro
Arte Moderna na Coleção Gilberto Chateaubriand
The Gilberto Chateaubriand Collection
Museu de Arte Moderna do Rio de Janeiro
O Rio de Janeiro na Coleção Gilberto Chateaubriand
The Gilberto Chateaubriand Collection
Galeria de Arte do SESI, São Paulo
Desenho Desenho Moderno no Brasil
The Gilberto Chateaubriand Collection (catalogue)
Centro Cultural São Paulo
Acervo João Sattamini, Museu de Arte Contemporânea de Niterói
The João Sattamini Collection
Museu de Arte de Brasília
Um Olhar sobre Joseph Beuys (Regarding Joseph Beuys)
Paço Imperial, Rio de Janeiro
O Papel do Rio (works on paper)
1994
Fundação Bienal de São Paulo
Bienal Brasil Século 20 (Brazilian Art in the Biennales)
(catalogue, texts by Nelson Aguilar, General Curator, and
Agnaldo Farias, Curator for the section Atualidade)
Art 25'94, International Art Fair, Basel, Switzerland
Luisa Strina Stand
Arteleku, San Sebastián, Spain
Urban Interventions, a workshop by Antoni Muntadas
(catalogue, video)
MASP-Museu de Arte de São Paulo
20 Anos (20 Years)
commemorative show of Luisa Strina Gallery
(book "20 Anos", text by Agnaldo Farias)
Galeria Luigi Marrozzini, Puerto Rico
Pequeño Formato Latinoamericano
1995
University of Essex, Colchester, England
Continuum - Brazilian Art 1960-90
works from the UECLAA, Collection of Latin American Art
Paula Terra Cabo, Curator
(catalogue, texts by Paula Terra Cabo and Guy Brett)
Paço Imperial, Rio de Janeiro
O Papel da Coleção
works on paper from the Monica and George Kornis Collection (catalogue)
1998
Pusan Metropolitan Art Museum, Pusan, Korea
Best Collections from Museums of Sister Cities
museum's inaugural exhibition
works from the Gilberto Chateaubriand Collection
(catalogue, text by Reynaldo Roels Jr., curator)
MASP-Museu de Arte de São Paulo
O Moderno e o Contemporâneo na Coleção Gilberto
Chateaubriand
Reynaldo Roels Jr., Sonia Saltzstein, curators
MAC-Museu de Arte Contemporânea de Niterói
Espelho da Bienal
works from the João Sattamini Collection
Rubem Breitman, curator
1999
Centro Cultural Itaú, São Paulo
Objeto do Cotidiano
(catalogue, text by Lisette Lagnado, curator)
MAM-Museu de Arte Moderna do Rio de Janeiro
and Centro Cultural Itaú, São Paulo
Objeto, anos 60-90
Agnaldo de Farias, Reynaldo Roels Jr, curators (folder)
Itaú Cultural Campinas
Galeria Itaú Cultural Penápolis
Itaú Cultural Belo Horizonte (travelling exhibition)
O Objeto: Anos 90
(folder, text by Lisette Lagnado, curator)
Espaço Cultural dos Correios, Rio de Janeiro
Rio Gravura
prints from the George Kornis Collection
2000
Ludwig Forum für Internationale Kunst, Aachen, Germany
Laboratorium: Continental Shift
(catalogue) Annette Lagler, curator
291 Gallery, London
Trans-Latin Highway (an event of the London Biennale)
The London Institute Art Gallery
Other Modernities
Milton Machado, Cildo Meireles, Yinka Shonibare, Foreign Investment
(catalogue) Oriana Baddleley & Michael Asbury, curators
MAC-Museu de Arte Contemporânea de Niterói
Pintura: Coleção João Sattamini
Luis Camillo Osório, curator
Casa França-Brasil , Rio de Janeiro
Situações - Anos 70
(catalogue) Paula Terra Cabo, Gloria Ferreira, curators
Albert Sloman Library, University of Essex, Colchester
Outros 500 - Highlights of Brazilian Contemporary Art
in UECLAA
(catalogue) Gabriela Salgado curator
MAM-Museu de Arte Moderna do Rio de Janeiro
Arte e Palavra, Coleção Gilberto Chateaubriand
Fernando Cochiarale, curator (folder)
2001
MAMAM-Museu de Arte Moderna Aloisio Magalhães, Recife
Arte e Palavra, Coleção Gilberto Chateaubriand
Espaço Cultural Paschoal Cittadino, Niterói
Perto e Longe por um Fio
Suzana Queiroga, curator (catalogue)
MAM-Museu de Arte Moderna do Rio de Janeiro
Constelação
Fernando Cochiarale, curator
Espaço Cultural da Light, Rio de Janeiro
Aquarela Brasileira (catalogue)
MAM-Museu de Arte Moderna do Rio de Janeiro
Aspectos de uma Coleção
2002
MAC-Museu de Arte Contemporânea de Niterói
Diálogo, Antagonismo e Replicação na Coleção Sattamini
Paço Imperial, Rio de Janeiro
Caminhos do Contemporâneo 1952/2002
Instituto Tomie Ohtake, São Paulo
Mapa do Agora
Coleção João Sattamini-MAC-Niterói
Espaço Cultural Sergio Porto, Rio de Janeiro
Projeto Música, Tecnologia e Multimeios
Concert of Vania Dantas Leite, composer
Dueto 1 + I, para Executantes Extremamente Atentos
e Isolados Um do Outro
original score 1978, by the artist, performed by Vania Dantas Leite (piano)
and Rodolfo Caesar (tape, eletroacoustic composition)
Gallery 32, London
Modernity and Identity: Architectures, the nature of the city
Selected works from UECLAA, University of Essex Collection (catalogue)
Paço Imperial, Rio de Janeiro
A Imagem do Som do Rock-Pop Brasileiro
Felipe Taborda, curator
(book, same title, PB-Marketing Promocional, Rio e Janeiro)
Centro Cultural Banco do Brasil, Rio de Janeiro
Artefoto
Ligia Canongia, curator (book, same title, CCBB, Rio de Janeiro)
Instituto Tomie Ohtake, São Paulo
Territórios
Agnaldo Farias, curator (catalogue)
2003
Universidarte XI, Galeria Especial
Universidade Estácio de Sá, Rio de Janeiro
Museu da República, Rio de Janeiro
Centro Cultural Banco do Brasil, Brasilia
Artefoto
Ligia Canongia, curator
Bandeiras do Brasil
Marta Niklaus, Ernades Fernandes, curators (catalogue)
Bibliography
Roberto PONTUAL, Códigos Atuais de Infância, Jornal do Brasil, newspaper,
Rio de Janeiro, 18/8/1975.
Frederico MORAES, Mundo, Mundo, Vasto Mundo: miniaturas de Milton Machado, Globo, newspaper, Rio de Janeiro, 28/8/1975.
Eduardo BARRETO, 22, independent edition, Rio de Janeiro, 1975.
Roberto PONTUAL, Arte Brasileira Contemporânea, Coleção Gilberto Chateaubriand,
book, Edições JB, Rio de Janeiro, 1976.
Frederico MORAES, A Cidade Como Tema, O Globo, newspaper, Rio de Janeiro, 11/5/1981.
Wilson COUTINHO, Delírio na Arquitetura, Jornal do Brasil, newspaper,
Rio de Janeiro,7/5/1981.
Wilson COUTINHO, Os Melhores de 1981, Jornal do Brasil, newspaper, 31/12/1981.
Frederico MORAES, No Balanço do Ano, as Exposições Mais Importantes, O Globo, newspaper, Rio de Janeiro, 30/12/1981.
Ligia CANONGIA, As Férias do Investigador, Módulo Magazine #68, Rio de Janeiro, January 1982.
Wilson COUTINHO, Concerto Plástico, Jornal do Brasil, newspaper, Rio de Janeiro, 7/8/1982.
Frederico MORAES, A Casa, O Globo, newspaper, Rio de Janeiro, 8/1/1982.
Ligia CANONGIA, Construção e Ansiedade, Arte em São Paulo magazine #20, São Paulo, 1983.
Armando FREITAS FILHO, Milton Múltiplo Comum, Arte em São Paulo magazine #20, São Paulo, 1983.
Roberto PONTUAL, Trabalho Às Avessas do Investigador, text for the catalogue (1 = n), Galeria Luisa Strina, São Paulo 1983.
Walter ZANINI, História Geral da Arte no Brasil, Volume 2, São Paulo 1983.
Frederico MORAES, Retrato e Autoretrato da Arte Brasileira, Coleção Gilberto Chateaubriand, Museu de Arte Moderna de São Paulo, São Paulo, 1984.
Brazilian Modern Art, the Gilberto Chateaubriand Collection, exhibition catalogue, Barbican Center, London, 1994.
Paulo HERKENHOFF and Alberto BEUTTENMULLER, Atitudes Contemporâneas, catalogue, Funarte, Rio de Janeiro, 1985.
Wilson COUTINHO, Conceito do Grande Desenho, Jornal do Brasil, newspaper, Rio de Janeiro, 19/4/1985.
Frederico MORAES, Ordem Rigorosa e Muito Pouca Emoção, O Globo, newspaper, Rio de Janeiro, 7/5/1985.
Milton MACHADO, Somas ou Desarranjos da Emoção, a reply to Frederico Moraes, O Globo, newspaper, 20/5/1985.
Aldi CORRADI, Imagens Sem Véu, A Gazeta, newspaper, Vitória, 14/8/1986.
Marcus de LONTRA COSTA, Território Ocupado, exhibition catalogue, EAV- Parque Lage, Rio de Janeiro, 1986.
Reynaldo ROELS Jr., Os 10 Melhores de 86, Jornal do Brasil, newspaper, Rio de Janeiro, 28/12/1986.
Roberto PONTUAL, Entre Dois Séculos, Coleção Gilberto Chateubriand, book, Edições JB, Rio de Janeiro 1987.
Rui MOREIRA LEITE, Milton Machado Investiga o Vazio, Folha de São paulo, newspaper, São Paulo, 3/11/1987.
Cesar GIOBBI, Emoções, nas Telas de Milton Machado, Estado de São Paulo, newspaper, São Paulo, 28/10/1987.
Reynaldo ROELS Jr., As Indagações do Olhar, Jornal do Brasil, newspaper, Rio de Janeiro, 10/9/1987.
Marcus de LONTRA COSTA, Pinceladas com Rebeldia, Isto É magazine, São Paulo, 23/7/1987.
Sheila LEIRNER et. al., 19ª Bienal de São Paulo, exhibition catalogue, Fundação Bienal de São Paulo, 1987.
Aracy AMARAL, Indagações em Torno da 19ª Bienal, Estado de São Paulo, newspaper, São Paulo, 12/12/1987.
Alberto TASSINARI, Uma Frustrante Delegação Brasileira: os Melhores, Folha de São Paulo, newspaper, São Paulo, 12/12/1987.
Catherine MILLIET, La 19ème Biennale de São Paulo, Art-Press magazine, January 1988.
Marc BERKOWITZ, The 19th Biennale, Art News magazine, January 1988.
Wilson COUTINHO, Expressão e Conceito, exhibition catalogue, Rio de Janeiro 1988.
Sheila LEIRNER, O Pequeno Infinito e o Grande Circunscrito, exhibition catalogue, Galeria Arco, São Paulo 1989.
Panorama 1990, exhibition catalogue, Museu de Arte Moderna de São Paulo, 1990.
Agnaldo de FARIAS, Mundo Novo, Galeria magazine #19, São Paulo, 1990.
Marco VELLOSO, Mundo Novo, Folha de São Paulo, newspaper, São Paulo, 3/4/1990.
A Arte de Destruir para Criar, Folha da Tarde, newspaper, São Paulo, 3/4/1990.
Ligia CANONGIA, Mundo Novo, Verve #35, newspaper, Rio de Janeiro, May 1990.
Façades Imaginaires, exhibition catalogue, Laboratoire Évenements Urbains, Grenoble, France, 1990.
Achille BONITO OLIVA, Baranek, Machado, Machado, Senise, Venosa, exhibition catalogue, Sala-1, Rome 1990.
Alessandra MAMMI, Baranek, Machado, Machado, Senise, Venosa, L'Espresso magazine, November 1990.
Miriam MIROLLA, Baranek, Machado, Machado, Senise, Venosa, Flash Art, January 1991.
Achille BONITO OLIVA, Interventi, exhibition catalogue, Museo Civico Gibellina, Gibellina, Italy, 1991.
Ligia CANONGIA, Imagem sobre Imagem, exhibition catalogue,Espaço Cultural Sergio Porto, Rio de Janeiro 1991.
Reynaldo ROELS Jr., Acervo Gilberto Chateaubriand, Anos 60-70, exhibition catalogue, SESI, São Paulo 1992.
Angelica de MORAES, Milton volta com objetos, O Estado de São Paulo, newspaper, São Paulo, 10/8/1993.
Angelica de MORAES, Uma Releitura dos Anos 70, Folha da Tarde, newspaper, São Paulo, 10/8/1993.
Carlos Uchoa FAGUNDES, Trabalhos de Machado Exploram Conceitos, Folha de São Paulo, newspaper, São Paulo, 24/8/1993.
Reynaldo ROELS Jr., Desenho Moderno Brasileiro, Coleção Gilberto Chateaubriand, exhibition catalogue, SESI, São Paulo, 1993.
Agnaldo de FARIAS and Nelson AGUILAR, Bienal Brasil Século 20, exhibition catalogue, Fundação Bienal de São Paulo, 1994.
Agnaldo de FARIAS, Galeria Luisa Strina - 20 anos, exhibition catalogue, Galeria Luisa Strina, São Paulo, 1994.
Evaldo MOCARZEL and Angelica DE MORAES, As Férias do Investigador - o video, Estado de São Paulo, newspaper, São Paulo, 26/1/1994.
Antoni MUNTADAS et al., Urban Interventions, exhibition catalogue, ARTELEKU, San Sebastian, Spain, 1994.
Guy BRETT and Paula TERRA CABO, Continuum, Brazilian Art 1960-1990, exhibition catalogue, University of Essex, Colchester, England, 1995.
Ivo MESQUITA, Brazil, in Latin American Art in the Twentieth Century, ed. Edward SULLIVAN, Phaidon Press Limited, London 1996.
Reynaldo ROELS Jr., O Moderno e o Contemporâneo, exhibition catalogue, MASP, São Paulo, 1998.
Lisette LAGNADO, Objeto Cotidiano, exhibition catalogue, Centro Cultural Itaú, São Paulo, 1999.
vAnnette LAGLER, Continental Shift, exhibition catalogue, Ludwig Forum für Internationale Kunst, Aachen 2000.
Michael ASBURY, Amuser l'Imaginaire, on the work 21 Forms of Amnesia, in Other Modernities, exhibition catalogue, London Institute Art Gallery, London 2000.
Paula TERRA CABO, Glória FERREIRA, Situações Anos 70, exhibition catalogue, Casa França-Brasil, Rio de Janeiro 2000.
Luiz CAMILLO OSORIO, Curto-circuito entre Objetos e Afetos, sobre a exposição individual Sobre a Mobilidade, Paço Imperial, Rio de Janeiro, jornal Jornal do Brasil, edição de 3 de outubro 2001
Writings
7 questões (7 questions), article, Módulo magazine #68, Rio de Janeiro, 1982.
Contemporaneidade (Contemporaneity), article, Módulo magazine #72, Rio de Janeiro, 1982.
Somas e Desarranjos da Emoção (Sums and Disarrangements of Emotions), a reply to the critic Frederico Moraes, O Globo, newspaper, Rio de Janeiro, 20 May 1985.
História do Futuro (History of the Future), abstract of MSc. Thesis, drawings, Arquitetura Revista magazine, FAU-UFRJ, Rio de Janeiro 1987.
Vènere, catalogue essay on the work of the sculptor Ivens Machado, Funarte, Rio de Janeiro, and Galeria Luisa Strina, São Paulo, 1988.
Se-movente (Self[if]moving), catalogue essay on the work of the sculptor Artur Lescher, Museu de Arte Moderna de São Paulo, São Paulo 1989.
Escultura em Espaços Públicos (Sculpture for Public Spaces), article on Angelo Venosa's work for Rio Branco Avenue, Verve, newspaper, Rio de Janeiro, May 1989.
1ª Bienal de Escultura do Rio de Janeiro (The 1st Rio de Janeiro Biennale of Sculpture - why it didn't happen), article, Verve, newspaper, Rio de Janeiro, June 1989.
Bernardo Stambowsky e Ricardo Homen (at the Macunaima Project 1989), article, Verve, newspaper, Rio de Janeiro, July 1989.
Amilcar de Castro (drawings and paintings by Amilcar de Castro at the Paço Imperial), article, Verve, newspaper, Rio de Janeiro, August 1989.
Rio Hoje (the exhibition at MAM-Rio de Janeiro), article, Verve, newspaper, Rio de Janeiro, September 1989.
Caso EAV x IBAMA (The EAV x IBAMA affair), article, Verve, Rio de Janeiro, October 1989.
Yves Klein (at the 20th São Paulo Biennale), article, Verve, newspaper, Rio de Janeiro, December 1989.
Um Polêmico 11º Salão Nacional (The polemical 11th Salão Nacional), article, Verve, Rio de Janeiro, January 1990.
Novos Novos (16 new artists), article, Verve, newspaper, Rio de Janeiro, February 1990.
Cristina Canale (Paintings by Cristina Canale), article, Verve, newspaper, Rio de Janeiro, April 1990.
Prata 90, e Oxidações (Silver 90, and Oxidations), exhibition catalogue, curator's essay, Centro Empresarial Rio Gallery, Rio de Janeiro, 1990.
Virus Abstrato (Abstract Virus), article on the work of the painter Cristina Canale, Galeria magazine, São Paulo 1990.
Justiça para o Parque Lage (Justice for the School of Visual Arts of Parque Lage), article, Jornal do Brasil, newspaper, Rio de Janeiro, 14 April 1991.
Dance a Noite Inteira Mas Dance Direito (Dance All Night but Dance All Right), public paper and essay, Forum de Ciência e Cultura, Universidade Federal do Rio de Janeiro with the Grupo Visorama, Rio, 1992.
Sinais de Terra (Signs of Land), 6 new painters, exhibition catalogue essay, Galeria de Arte CEMIG, Belo Horizonte, 1992.
Instalação Titanic (Titanic Installation), exhibition catalogue essay on the work of the sculptor Ricardo Becker, Funarte, Rio de Janeiro 1992.
Haver Navios (Watching Ships To Be), 5 new painters, exhibition catalogue essay, EAV Parque Lage, Rio de Janeiro, 1992.
Aquele que Vagueia Diante das Portas (The one who wanders beyond the front door), exhibition catalogue essay on the work of the sculptor Artur Lescher, Galeria Millan, São Paulo, 1993.
Exorcizing the "exoticated", paper contributed to the round table held at University of Essex on the exhibition "Continuum, Brazilian Art 1960-1990", Colchester, November 1995.
Exorcizando o "exoticado", article on the exhibition "Continuum, Brazilian Art 1960-1990" (see above), ITEM magazine, issue ITEM-3, Rio de Janeiro, March 1996.
Green Stripes, Mature Grapes, paper contributed to the conference "Redefining Art", Goldsmiths College University of London, February 1997.
YBA, ou "Movimento Piroquismo", article on the exhibition "Sensation, YBA in the Saatchi Collection, Royal Academy, London 1997, ITEM magazine, issue ITEM-5, Rio de Janeiro, March 1998.
The Funnel-Gang Has Arrived (Chegou a Turma do Funil ), paper contributed to the conference "Neighbouring Shores", ICA-Institute of Contemporary Art, London 1999.
Ammunition Amnesia, in Other Modernities, exhibition catalogue, London Institute Art Gallery, London 2000.
The Imaginary Encounter Between Hélio Oiticica and Kasimir Malevich in the Open Air (or How an American critic lent his innermost essence to a Dutch curator) paper contributed to the international panel discusion on the work of Hélio Oiticica, InIVA-Institute of International Visual Arts, London 1999.
The Funnel-Gang Has Arrived (Chegou a Turma do Funil ), in a-r-c, Journal of Art Research and Critical Curating, issue 2 July 2000, Art Research Programme, ed. Poli Cardenas, London 2000 (on line).
Power to the Imagination: Art in the 1970s and Other Brazilian Miracles, paper contributed to the seminar "Outros 500", University of Essex Art History Department, Colchester, 2000.
Dance a Noite Inteira Mas Dance Direito, essay, in Arte Brasileira Contemporânea em Textos, org. Ricardo BASBAUM, Editora da UFRJ, Rio de Janeiro 2001.
Vènere, essay, in "Ivens Machado, O Engenheiro de Fábulas", book on the work of the artist, Paço Imperial, Rio de Janeiro, December 2001
Conversations with Luis Camillo Osorio and José Maria Dias da Cruz, contribution to the book José Maria Dias da Cruz, Interiores da Reflexão, Andrea Jakobsson Estúdio Editorial, Rio de Janeiro, 2001
Interview with Luis Camillo Osorio, ITEM-5, art-magazine, ed. Ricardo BASBAUM & Eduardo COIMBRA, Rio de Janeiro 2002
Conversations with Daniela Name, Luis Camillo Osorio and José Maria Dias da Cruz, on the work of the painter, O GLOBO ON LINE, 13 December 2001
Luz Natural, essay on the work of the artist Eduardo Coimbra, catalogue for the solo-exhibition "Luz Natural", Galeria de Arte da UERJ, Rio de Janeiro 2002.
Personal Catalogues
A Esperança no Porvir (Future Expectations), comics magazine, 14 artists, edited by the artist, independent production, Rio de Janeiro, 1973.
Desenhos e Objetos (Drawings and Objects), exhibition folder, graphic design, Galeria Maison de France, Rio de Janeiro, 1975.
Conspiração Arquitetura (Conspiracy Architecture), exhibition folder, graphic design. Espaco ABC-Arte Contemporânea, Funarte, Rio de Janeiro, 1981.
As Férias do Investigador (Vacations of a Private Eye), exhibition catalogue, text and graphic design by the artist, Galeria Cesar Aché, Rio de Janeiro, 1981.
(1 = n), exhibition catalogue, graphic design, text by Roberto PONTUAL, Galeria Luisa Strina, São Paulo, 1983.
Somas e Desarranjos (Sums and Disarrangements), exhibition catalogue, text and graphic design by the artist, Galeria Saramenha, Rio de Janeiro, 1985.
V - 10 imagens (V -10 images), exhibition catalogue, text and graphic design by the artist, Galeria Usina, Vitória do Espírito Santo, 1986.
Desconstruções (Deconstructions), catalogue for the 19th São Paulo Biennale, text and graphic design by the artist, São Paulo, 1987.
Fugitivo Zero (Fugitive Zero), exhibition catalogue, text and graphic design by the artist, Galeria Montesanti, Rio de Janeiro, 1987.
Mundo Novo (New World), exhibition folder, text and graphic design by the artist (with Fernanda Gomes), Galeria Luisa Strina, São Paulo, 1990.
Interventi (Interventions), exhibition catalogue, text by the artist (presentation text by Achille Bonito Oliva), Museo Civico Gibellina, Italy, 1991.
21 Formas de Amnésia (21 Forms of Amnesia), exhibition folder, text by the artist, Galeria Sergio Milliet, Funarte, Rio de Janeiro, 1991.
21 Formas de Amnésia (21 Forms of Amnesia), exhibition folder, text by the artist, Centro Cultural São Paulo, 1992.
Urgencias [Larrialdiak] (Urgencies [Larrialdiak]), photographic essay, text and graphic design by the artist, in Urban Interventions, Arteleku, San Sebastián, Spain, 1994.
About Mobility, photographic essay, text by the artist, for the exhibition with the same title, Goldsmiths' College, London 1998.
Sobre a Mobilidade, catalogue for the exhibition with the same title, text by the artist, Paço Imperial, Atelier Finep, Rio de Janeiro 2001
Videotapes
On the artist's work
1994
As Férias do Investigador (Vacations of a Private Eye)
Arthur OMAR, director
Milton MACHADO, objects, sculptures, characters and concepts
Production RioArte & Magnetoscópio, Rio de Janeiro 1994
Betacam, colour, 17'
2002
Homem Muito Abrangente
Cacá VICALVI, director
Production Instituto Cultural Tomie Ohtake & Documenta, São Paulo 2002
Betacam, colour, 9'
By the artist
1994
Edifício-Galaxie, sobre a mobilidade (Galaxie Building, about mobility)
with Fabio CARVALHO, computer graphics
Independent production by the artist
Betacam, colour, loop with sequences of 3' modules
2003
New version, with
Rodolfo CAESAR, music & Larissa PSCHETZ, edition
Participations
1990
Cinque Artisti Brasiliani (Five Brazilian Artists)
Ariel GENOVESE, director
Production Sala-1, Rome, 1990
Betacam, colour, 9' 22"
1993
Instalação Titanic (Titanic Installation)
Felipe LACERDA, director
about the work of the sculptor Ricardo Becker
script based on text and title by Milton Machado
Rio de Janeiro, 1993
1993
Situações Encontradas (Found Situations)
Andre PARENTE, director
about the work of the sculptor Ivens Machado
Production RioArte, Rio de Janeiro 1993
texts, narration
Other Activities
Curator
1985
3 Foragidos (3 Fugitives), Nelson Felix, Jorge Guinle, Milton Machado.
Capela, Centro de Artes da Universidade Federal do Espírito Santo.
Vitória
1989
Projeto Macunaima (The Macunaima Project)
Brazilian contemporary artists
Funarte (Fundação Nacional de Artes), Rio de Janeiro.
co-curator
1990
Novos Novos (New New)
Brazilian contemporary artists
Centro Empresarial Rio, Rio de Janeiro
co-curator, catalogue essay
Baranek, Machado, Machado, Senise, Venosa
5 Brazilian Artists
Sala-1, Rome
catalogue text by Achille Bonito Oliva
Works in private collections
Mr. Gilberto Chateaubriand Rio de Janeiro
Mr. João Sattamini Rio de Janeiro
Mr. Thomas Cohn Rio de Janeiro
Mr. Afonso Costa Rio de Janeiro
Mr. Eduardo Duvivier Rio de Janeiro
Mr. João Burlamaqui Rio de Janeiro
Mr. Fabio Settimi Rio de Janeiro
Mr. Paulo Magnavita Rio de Janeiro
Mr. Antonio Dias Rio de Janeiro
Ms. Beth Bottecchia Rio de Janeiro
Mr. Victor Arruda Rio de Janeiro
Mr. José Roberto Arruda Rio de Janeiro
Mrs. Vera Figueiredo Rio de Janeiro
Mr. Eduardo Modiano Rio de Janeiro
Mr. José Octavio Montesanti Rio de Janeiro
Mr. Oswaldo Correia da Costa Rio de Janeiro
Ms. Ligia Canongia Rio de Janeiro
Mrs. and Mr. George Kornis Rio de Janeiro
Mrs. Daisy Cabral Rio de Janeiro
Ms. Luisa Strina São Paulo
Mr. Bruno Musatti São Paulo
Mr. Gerard Löeb São Paulo
Mr. Conrado Malzone São Paulo
Mr. Rodolfo Scarpa São Paulo
Mr. José Zaragoza São Paulo
Mrs. Cristina Laranjeiras São Paulo
Mr. Fabio Faisal São Paulo
Mr. João Figueiredo Ferraz Ribeirão Preto
Mr. Marcio Espindula Vitória
Mrs. Liba Knijnik Porto Alegre
Mr. Roberto Pontual Paris
Mr. Jean Louis Steuerman London
Mr. Oswaldo Correia da Costa New York
Mr. Fabio Gori Prato
Mr. Guy Brett London
Public Collections
Museu de Arte Moderna do Rio de Janeiro
Museu de Arte Moderna de São Paulo
Museu de Arte de Belo Horizonte
Museu de Arte Contemporânea de Niterói
Museo Civico Gibellina, Gibellina, Italy
Universidade Federal do Espírito Santo
União dos Bancos Brasileiros, Rio de Janeiro
Chase Manhattan Bank, Curitiba
Galeria Luisa Strina, São Paulo
Galeria Thomas Cohn, Rio de Janeiro
Galeria Saramenha, Rio de Janeiro
Galeria Montesanti, São Paulo
Galeria Usina, Vitória
Galleria SALA-1, Rome, Italy
Arteleku, San Sebastian, Spain
UECLAA, University of Essex, England
Other Activities
Teaching, talks, lectures
1979-1996
Universidade Santa Úrsula, Centro de Arquitetura e Artes Department of Analysis and Representation of Form
Professor Adjunto, since 1986
since 1983
Escola de Artes Visuais do Parque Lage
Secretaria de Estado e Cultura do Rio de Janeiro
Painting and Art Theory
Teacher
1986
Universidade Federal do Espírito Santo, Centro de Artes
and Galeria Usina, Vitória do Espírito Santo
talk, slide projection of works
1988
Universidade Federal do Rio de Janeiro
Escola de Belas Artes
workshop: "Tudo em Cima" (All Over)
1991
Universidade Federal do Espírito Santo, Centro de Artes
Examination of candidates for "Professor Auxiliar"
Member of the Examination Board
Escola de Artes Visuais do Parque Lage
Secretaria de Estado e Cultura do Rio de Janeiro
talk: "Dos Jegues e dos Coiotes: uma fábula"
(On asses and on coyotes: a fable)
1992
Universidade Federal do Espírito Santo, Centro de Artes
4th Summer Art Festival, Nova Almeida, ES
Workshop: "Introdução Às Coisas" (Introduction to Things)
Public paper: "A Função Social da Arte" (The Social Function of Art)
Universidade Federal do Rio de Janeiro, Escola de Comunicação
Forum of Science and Culture, Cicle Visorama
Public paper: "Dance a Noite Inteira Mas Dance Direito"
(Dance All Night But Dance All Right)
Universidade de Brasília, Centro de Artes
Workshop: "Instalações" (Installations)
Talk, slides presentation of work
Universidade Federal de Minas Gerais
Escola Guignard, Belo Horizonte
a contribution to the Teachers Upgrading Programme
Universidade Federal de Minas Gerais, Centro de Artes
Winter Art Festival, Ouro Preto, MG
Workshop: "Introdução às Coisas" (Introduction to Things)
1993
Universidade Federal do Espírito Santo, Centro de Artes
5th Summer Art Festival, Nova Almeida, ES
Workshop: "Re-introdução Às Coisas" (Re-introduction to Things)
Talks: "Two Visions of Curatorship", with Alphons Hug
"Four Views of Contemporary Art",
"Vacations of a Private Eye" and "History of the Future"
Universidade Federal do Espírito Santo, Centro de Artes
Examination of candidates for "Professor Auxiliar"
Member of the Examination Board
1994
Dynamic Encounters Programme, organized by Charles Watson
a course for Brazilian art students, London museums and galleries
Goldsmiths' College, University of London
Department of Visual Arts
talk and audio-visual presentation of works
1995
Dynamic Encounters Programme, organized by Charles Watson
a course for Brazilian art students, London museums and galleries
Dynamic Encounters Programme, organized by Charles Watson
a course for Brazilian art students, New York museums and galleries
University of Essex, Colchester
round table with Dawn Ades, Guy Brett, Valerie Fraser,
Carla Guagliardi, David Medalla and Paula Terra Cabo discussing the exhibition "Continuum, Brazilian Art 1960-1990"
1996
Camberwell College of Arts, London
Foundation Studies
talk and audio-visual presentation of works
Dynamic Encounters Programme, organized by Charles Watson
a course for Brazilian art students, London museums and galleries
University of Essex, Dept. of Art History, Colchester
reading and discussing the paper "Exorcizing the 'Exoticated'"
talk and audio-visual presentation of works
Dynamic Encounters Programme, organized by Charles Watson a course for Brazilian art students, New York museums and galleries
Goldsmiths College, University of London
tutorial to student Patricio Forrester, MA Fine Art
1997
Dynamic Encounter Programme, organized by Charles Watson
a course for Brazilian art students
London museums and galleries, Kassel Documenta X
1998
Central Saint-Martins School of Art and Design, London
Critical Fine Arts Practice Department
talk and audio-visual presentation of works
British Council Rio de Janeiro
Tutorials - at London galleries and museums - to artist Adriana Tabalipa, recipient of the 1998 British Council Award.
Central St. Martins School of Art, London Institute
tutorial to student Paola Junqueira, MA Fine Art
Dynamic Encounters Programme, organized by Charles Watson a course for Brazilian art students, New York museums and galleries
1999
ICA, Institute of Contemporary Art, London
reading and discussing the paper "The Funnel-Gang Has Arrived" a contribution to the conference "Neighbouring Shores"
Goldsmiths College, University of London
tutorial to student Giacomo Picca, MA Fine Art
Goldsmiths College, University of London
tutorial to student Tiago Carneiro da Cunha, MA Fine Art
Goldsmiths College, University of London
tutorial to student Camila Sposati, Diploma Fine Art
Royal College of Art, London
tutorial to student Clare Carolin, MA Curating
Camberwell College of Art, London Institute
talk: "History of the Future and other After Stories"
InIVA-Institute of International Visual Arts, London
reading and discussing the paper
"The Imaginary Encounter Between Hélio Oiticica and
Kasimir Malevich in the open air
(or How an American Critic Lent His Innermost Essence
to a Dutch Curator)"
a contribution to the international panel discussion
on the work of Hélio Oiticica
Dynamic Encounters Programme, organized by Charles Watson a course for Brazilian art students, New York museums and galleries
Camberwell College of Arts, The London Institute
External Advisor to research student Michael Asbury, PhD Art History
2000
Barbican Centre, Department of Education, London
"Reorganizing the World", workshop for children
University of Essex Art History Department, Colchester
reading and discussing the paper
"Power to the Imagination: Art in the 1970s and Other Brazilian Miracles"
contributed to the seminar "Outros 500"
Camberwell College of Arts, The London Institute
Visiting Lecturer, BA Visual Arts Department of Metalwork
Contextual Studies programme
2001
Tate Gallery, Tate Modern, London
Recorded interviews for the audio-guide of the exhibition
"Century City: Art and Culture in the Modern Metropolis"
Goldsmiths College, University of London
tutorial to student Mauricio Lupini, MA Fine Art
since 2001
Curso de Pós-graduação em Artes Visuais,
Escola de Belas Artes, EBA-UFRJ
Lecturer, Reseach Fellow CNPq
Cidade-Galeria, 8º Encontro do Programa de Pós-Graduação em Artes Visuais da Escola de Belas Artes, EBA/UFRJ PC do B, talk, contribution to the panel on cultural policies, Espaço Cultural dos Correios, Rio de Janeiro 2001
Ver de Rosa, workshop, talk and interview with the artist
Artur Lescher, Centro Cultural Helio Oiticica, Rio de Janeiro
Artista e Universidade, contribution to the panel on art and research
MAC-Museu de Arte Contemporânea de Niterói
Instituto Tomie Ohtake, São Paulo
Sexo, Drogas e Teoria, palestra, contribution to the panel "Arte Como Conceito" -
Curso de Olhar
Universidade Estácio de Sá, Rio de Janeiro
Visiting Lecturer
Research
1978
History of the Future
First moves. Drawings and Descriptive Text.
Urbanism, FAU-UFRJ
Faculdade de Arquitetura e Urbanismo
Universidade Federal do Rio de Janeiro
Postgraduation Programme (credits only)
1980-82
Urban Planning, IPPUR-UFRJ
Instituto de Pesquisa em Planejamento Urbano e Regional
Universidade Federal do Rio de Janeiro
Postgraduation Programme (credits)
1980
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
CAPES, Brazilian Government
Research Scholarship
Núcleo de Estudos e Pesquisas, NEP-Funarte, Brazilian Government
Research Scholarship
1984
Instituto Nacional de Artes Plásticas, INAP-Funarte, Brazilian Government
Ivan Serpa Research Fellowship
History of the Future, developments
1985
Urban Planning, IPPUR-UFRJ
Instituto de Pesquisa em Planejamento Urbano e Regional
Universidade Federal do Rio de Janeiro
Postgraduation Programme
Master of Science Degree
History of the Future: thesis
Examination Board:
Dr. Carlos Nelson Ferreira DOS SANTOS, Supervisor
Dr. Eduardo JARDIM
Dr. Carlos VAINER
1988
History of the Future, drawings and abstract of thesis publication
Arquitetura Revista magazine, FAU-UFRJ
1994-1998
Conselho Nacional de Desenvolvimento Científico e Tecnológico
CNPq, Brazilian Government
Research Scholarship, Doutorado no Exterior
1994-1999
Goldsmiths College, University of London
Department of Visual Arts, MPhil/PhD Fine Art Programme
PhD thesis, 1999:
After History of the Future: (art) and its exteriority)
Examination Board:
Dr. Michael NEWMAN (Central St Martins School of Art, London Institute)
Professor John AIKEN (Slade College of Art, University College of London)
Research
MPhil/PhD Fine Art Goldsmiths College, University of London
1994 , May
Talk and audio-visual presentation of works
1995 , July
Project Room (1=n) an interval
solo exhibition, drawings
1995 , June
Reading and discussing the paper The Writing of Art
a personal contribution to MPhil/PhD Researchers meetings
1996 , March
History of the Future, seminar
a contribution to the MA in Fine Art Programme
1997 , February
Green Stripes, Mature Grapes, paper
a contribution to the conference "Redefining Art"
org. Claudia Wegener, Mark Ryder
1998 , January
About Mobility
solo exhibition, photographs and videos
Project Room, Goldsmiths College, London
1999 , June
Stray Bullets
solo exhibition, photographs
Project Room, Goldsmiths College, London
Other Activities
Languages
1960-66
Instituto Brasil-Estados Unidos, Rio de Janeiro
English Language, Diploma
1968
Michigan University
Certificate of Proficiency in English
1988-91
Istituto Italiano di Cultura, Rio de Janeiro
Italian Language, Diploma
1992-93
Goethe Institut, Rio de Janeiro
German Language, basic
reads and speaks French and Spanish