CV Adelaide Bannerman
Education:
1998-2001 MA Fine Art Administration and Curatorship, Goldsmiths College, London
1991-1994 BA (Hons) Fine Art, University of East London
1990-1991 Media Foundation Course, London College of Printing
Selected work history: Artsadmin July - 2007 decibel Associate Producer
International Curators Forum 2007
June 2007
Group Leader, Venice Biennale
Institute of International Visual Arts (inIVA)
April - 2007
Consultancy Services, Digital Archive
PLATFORM: Remember Saro-Wiwa
April-December 2006
Project Manager for public art project, The Living Memorial
Hastings Museum and Art Gallery
January 2005 - ongoing
Consultancy Services and Project Curator of group exhibition, Yes, Yes, Y'all, Autumn 2007. Funded by Henry Moore Foundation and Paul Hamlyn Foundation.
Institute of International Visual Arts (inIVA)
July-December 2004
Interim Publications Co-ordinator
Artquest
January-March 2004
Consultant Researcher of the report, Research into the uptake and usage of Artquest services by London's Black and Minority Ethnic (BME) Practitioners
Arts Council England, London
September 2003 - August 2004
Decibel Ambassador
Institute of International Visual Arts (inIVA)
June-July 2003
Text Editor, InIVA digital archive
Institute of International Visual Arts (inIVA)
November 2001 - December 2002
Assistant Curator
198 Gallery
August 1998 - September 1999
Exhibitions Team
Independent Curatorial Projects
Performance: Strategy + Process
Artsadmin, November 2004
Participating artists: Adrian Piper, Paul D Miller aka DJ Spooky, Barby Asante, Virginia Nimarkoh, Sonia Boyce, Emmanuelle Waeckerle, Robin Deacon, Grace Ndiritu, Lorrice Douglas, Sara Raza
Public Talks:
Tate Modern
March 2007
Current Thinking series: The Anatomy of Ignorance with artist Maria Kheirkhah and critic Cherry Smyth. Presented the paper, The Uncertainty Principle
Artquest
January-March 2005
Curatorial Conversations: The New Wave - Emerging Curators.
Presentation on Blue Sky Curating
Live Art Development Agency (LADA)
November 2004
Open Nights series: Risk and Performance, selections from the LADA video archive
Goldsmiths College, Visual Cultures Department
October 2003
Panel review of The Garden of Eden, Faisal Abdu'Allah at the Chisenhale Gallery, 2003
Texts: Artists Newsletter Autumn/Winter2007 Peripetetic Practices: Artists profiles on Jimmy Robert and Jen Wu
Performance: Strategy and Process, ed. Adelaide Bannerman and Sarah Campbell. Featuring introduction by Adelaide Bannerman and texts by Adrian Piper, Virginia Nimarkoh, Sonia Boyce, Barby Asante, Emmanuelle Waeckerle, Grace Ndiritu, Sara Raza and Robin Deacon.
Forthcoming 2007.
The Showroom
2003
Author
Brochure text for Barby Asante's Journey into the East 26 June - 4 August 2002
African and Asian Visual Artists' Archive (AAVAA)
November 2001 - February 2002
Chronology Researcher and contributing writer
Publication Shades of Black: Assembling The Eighties
Co-publication Duke University Press/inIVA/AAVAA, published summer 2005
Awards
Arts Council England, London Visual Arts
2005
Individual Award: publication, Performance: Strategy and Process
Arts Council England, London decibel
2005
Individual Award: publication, Performance: Strategy and Process
Arts Council England, London Visual Arts
2004
Individual Award: project, Performance: Strategy and Process
Arts Council England, London decibel
2004
Individual Award: project, Performance: Strategy and Process
London Arts, Visual Arts Department
2001
Individual Award for research and development: Adrian Piper's Funk Lessons - A Transatlantic Interpretation
Selection Panels:
ACME Southwark Artists' Studio Award
2006
Artsadmin/Decibel Artists' Award
2006
Artquest/B3 Media
Electric Greenhouse Residencies
Board/Committee Service:
The Showroom, London
www.theshowroom.org
January 2004 - ongoing
Trustee
London Print Studio
September 2003-2005
Exhibition Committee