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BORDERLINE
"I
carry two worlds within me but neither one whole, they're constantly bleeding.
The border runs right through my tongue." Zafer
Senocak
The border
is the line between two countries or states which marks where one ends
and the other begins. They are delineated by lines on a map
and decided by governments or national leaders but not always recognised
or agreed on. Wars continue to be fought by nations
or peoples who disagree over where the border lies between them.
Maps have always been
a tool of defining and claiming regions as well as dividing peoples, particularly
during colonial times. While they may follow a mountain range or the edge
of a lake, borders are not natural geographic divisions - animals and
weather don't recognise them. But the borders surrounding a nation are
used to regulate who or what is included and who or what is excluded.
This applies to both territory
and to people.
As well as providing
physical partitions borders can be metaphors for the notional boundaries
which define social, religious or cultural differences and divisions.
Yukinori Yanagi examines both these literal and metaphorical meanings
in his time-based sculptures.
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Yukinori
Yanagi - "Untitled Antfarm Project", 1997. (1)
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Manit
Sriwanichpoon - 'The Pink Man on Tour no. 1,
Amazing Pagoda', 1997 (1)
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"For business purposes,
the boundaries that separate one nation from another are no more real
than the equator. They are merely convenient demarcations of ethnic, linguistic
and cultural entities. They do not define business requirements or consumer
trends." IBM
1990
National
identity is constructed both within a country and outside of it. A country's
own sense of itself and its character is built up over time through language,
culture and religion. How a country is perceived from outside is often
related to Tourism and how the
landmarks and images chosen to symbolise a country, are portrayed to visitors.
Manit Sriwanichpoom is a artist/activist from Thailand who is particularly
concerned with the effects of tourism and cultural imperialism.
In
a postindustrial global economy many nations rely on tourism as a key
source (sometimes the only source) of national income. It is often the
uniqueness or difference within a country that makes it appealing or 'exotic'
to outsiders. But sometimes national customs or dress are only maintained
for the tourist economy, their authenticity being manufactured by a heritage
industry.
Foreign
travel and sightseeing have been leisure pursuits for nearly 200 years
and have shaped our knowledge of other countries but in the late twentieth
century, particularly in the West, these activities have increased massively.
Tourism is now seen as a potential threat to some traditional economies
as well as the ecology of many parts of the globe.
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Other artists
you might investigate, whose work examines these themes:
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