This is the fourth in a series of films of Peter Clarke talking about his work at the Wind Blowing on the Cape Flats exhibition. Here he talks about the works he collectively calls the ‘Ghetto Fence Series’.
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This is the third in a series of films of Peter Clarke talking about his work at the Wind Blowing on the Cape Flats exhibition. Here he talks about Winter sun, Amsterdam.
This is the first of six short films Peter Clarke kindly made during the opening of his retrospective, Wind Blowing on the Cape Flats at Rivington Place. In this film, he talks about his work For Some the Pathway to Education Lies Between Thorns:
“I’ve been interested in space for a very long time, since early childhood in fact. Not only that kind of space, but also the spaces that separate people. The spaces that people have to traverse. In this particular work, what inspired this one was the fact that in South Africa, in the rural areas there’s a great deal of having to walk to school. Often children travel long distances every day. Going to school and traveling back afterwards. When I for instance spent a while in a village called Tesselaarsdal in the earlier part of my career there was one group of children who walked five miles to school in the morning and then walked the five miles back after school. So I was seeking out the difficulties involved in gaining an education. And so the title eventually came to me for this particular one, For Some the Pathway to Education Lies Between Thorns.”
“This is a lino-cut print. It is a reduction lino-cut print. What I mean by reduction is I draw on the block, cut very carefully. I’ve already decided in my mind that this is going to be a five colour block print…a five colour print…and so I cut the block and I ink for the first stage, print it, then I cut it further, ink it a different colour, printed it and so on, until I’ve completed the block. I’ve completed the block and what will remain over on the block so what has printed the darkest colour here. It is actually a very simple process, but I’ve felt with many adult artists that I’ve spoken to about print making, they haven’t the foggiest idea what I’m talking about until I actually show them how it is done.”